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The Power of the Dog
Editorial, VFX SupervisionVFX Supervision by Jay Hawkins
Directed by Jane Campion
Produced by See-Saw Films -
Christy
Postvis and VFX, VFX SupervisionVFX Supervision by Jay Hawkins
Directed by David Michôd
Produced by Anonymous Content & Black Bear Pictures -
Mr Inbetween S1, S2 & S3
EditorialDirected by Nash Edgerton
Produced by Blue-Tongue Films -
Wolf Like Me S1 & S2
Editorial, Postvis and VFX, VFX SupervisionVFX Supervision by Jay Hawkins
Directed by Abe Forsyth
Produced by Made Up Stories -
In Vitro
Postvis and VFX, DI and FinishingDirected by Tom McKeith & Will Howarth
Produced by Fictious -
Little Monsters
Editorial, VFX SupervisionVFX Supervision by Jay Hawkins
Directed by Abe Forsythe
Produced by Made Up Stories -
Foe
VFX SupervisionVFX Supervision by Jay Hawkins
Directed by Garth Davis
Produced by See-Saw Films -
The Nightingale
EditorialDirected by Jennifer Kent
Produced by Causeway Films -
Strife S1
Editorial, VFX SupervisionVFX Supervision by Jay Hawkins
Directed by Stuart Bowen
Produced by Made Up Stories & Fifth Season -
Strife S2
Editorial, Postvis and VFX, VFX SupervisionVFX Supervision by Jay Hawkins
Directed by Neil Sharma
Produced by Made Up Stories & Fifth Season -
Wizards!
Editorial, VFX SupervisionVFX Supervision by Jay Hawkins
Directed by David Michôd
Produced by See-Saw Films -
OneFour: Against All Odds
EditorialDirected by Gabriel Gasparinatos
Produced by Stranger Than Fiction Films & Entropico -
The Lost Flowers of Alice Hart
VFX SupervisionCo VFX Supervision by Jay Hawkins
Directed by Glendyn Ivin
Produced by Made Up Stories -
In My Blood it Runs
EditorialDirected by Maya Newell
Produced by Closer Productions -
Penguin Bloom
VFX SupervisionVFX Supervision by Jay Hawkins
Directed by Glendyn Ivin
Produced by Made Up Stories -
Ten Pound Poms S2
EditorialDirected by Ana Kokkinos
Produced by Eleven Film & Curio Pictures -
Nine Perfect Strangers S1
VFX SupervisionVFX Supervision by Jay Hawkins
Directed by Jonathan Levine
Produced by Made Up Stories & Blossom Films -
How Can I Help You
Editorial, Postvis and VFX, DI and FinishingDirected by Eliza Scanlen
Produced by Causeway Films -
The Dry
VFX SupervisionVFX Supervision by Jay Hawkins
Directed by Robert Connolly
Produced by Made Up Stories -
Shark
EditorialDirected by Nash Edgerton
Produced by Blue-Tongue Films
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The Eleven O’Clock
EditorialDirected by Derin Seale
Produced by Finch -
Tough
Editorial, DI and FinishingDirected by Taylor Ferguson
Produced by Eddy Bell & Taylor Ferguson -
The List
Editorial, DI and FinishingDirected by Samuel Faull
Produced by Olivia Carolan & Samuel Faull -
Playlist
EditorialDirected by Maya Newell
Produced by Maya Newell -
The Plains
DI and FinishingDirected by David Easteal
Produced by David Easteal -
Boy On Fire
EditorialDirected by Alies Sluiter
Produced by Mahal Jiwani & William Littleton -
Sexy Nails
Editorial, Postvis and VFX, DI and FinishingDirected by Tom Slater
Produced by Photoplay Films -
Buoyancy
EditorialDirected by Rodd Rathjen
Produced by Causeway Films -
Kiki & Kitty
EditorialDirected by Catriona McKenzie
Produced by Porchlight Films -
Proximity
Editorial, Postvis and VFX, VFX Supervision, DI and FinishingDirected by Taylor Steele
Produced by Garage Productions & Teton Gravity Research -
Generations Of Men
Editorial, DI and FinishingDirected by Joanna Joy
Produced by Elizabeth Simard & Lelarnie Hatfield-Yasso -
Show Home
EditorialDirected by Jane Shearer
Produced by Sarah Cook & Jimena Murray
ARC acknowledges the Traditional Owners of Country throughout Australia, the original storytellers of the lands on which we work, paying respect to Elders past and present.
We extend this respect to First Nations Peoples and Indigenous communities around the world, whose lands remain enduring places of connection.