• The Power of the Dog

    Editorial, VFX Supervision

    VFX Supervision by Jay Hawkins
    Directed by Jane Campion
    Produced by See-Saw Films

  • Christy

    Postvis and VFX, VFX Supervision

    VFX Supervision by Jay Hawkins
    Directed by David Michôd
    Produced by Anonymous Content & Black Bear Pictures

  • Mr Inbetween S1, S2 & S3

    Editorial

    Directed by Nash Edgerton
    Produced by Blue-Tongue Films

  • Wolf Like Me S1 & S2

    Editorial, Postvis and VFX, VFX Supervision

    VFX Supervision by Jay Hawkins
    Directed by Abe Forsyth
    Produced by Made Up Stories

  • In Vitro

    Postvis and VFX, DI and Finishing

    Directed by Tom McKeith & Will Howarth
    Produced by Fictious

  • Little Monsters

    Editorial, VFX Supervision

    VFX Supervision by Jay Hawkins
    Directed by Abe Forsythe
    Produced by Made Up Stories

  • Foe

    VFX Supervision

    VFX Supervision by Jay Hawkins
    Directed by Garth Davis
    Produced by See-Saw Films

  • The Nightingale

    Editorial

    Directed by Jennifer Kent
    Produced by Causeway Films

  • Strife S1

    Editorial, VFX Supervision

    VFX Supervision by Jay Hawkins
    Directed by Stuart Bowen
    Produced by Made Up Stories & Fifth Season

  • Strife S2

    Editorial, Postvis and VFX, VFX Supervision

    VFX Supervision by Jay Hawkins
    Directed by Neil Sharma
    Produced by Made Up Stories & Fifth Season

  • Wizards!

    Editorial, VFX Supervision

    VFX Supervision by Jay Hawkins
    Directed by David Michôd
    Produced by See-Saw Films

  • OneFour: Against All Odds

    Editorial

    Directed by Gabriel Gasparinatos
    Produced by Stranger Than Fiction Films & Entropico

  • The Lost Flowers of Alice Hart

    VFX Supervision

    Co VFX Supervision by Jay Hawkins
    Directed by Glendyn Ivin
    Produced by Made Up Stories

  • In My Blood it Runs

    Editorial

    Directed by Maya Newell
    Produced by Closer Productions

  • Penguin Bloom

    VFX Supervision

    VFX Supervision by Jay Hawkins
    Directed by Glendyn Ivin
    Produced by Made Up Stories

  • Ten Pound Poms S2

    Editorial

    Directed by Ana Kokkinos
    Produced by Eleven Film & Curio Pictures

  • Nine Perfect Strangers S1

    VFX Supervision

    VFX Supervision by Jay Hawkins
    Directed by Jonathan Levine
    Produced by Made Up Stories & Blossom Films

  • How Can I Help You

    Editorial, Postvis and VFX, DI and Finishing

    Directed by Eliza Scanlen
    Produced by Causeway Films

  • The Dry

    VFX Supervision

    VFX Supervision by Jay Hawkins
    Directed by Robert Connolly
    Produced by Made Up Stories

  • Shark

    Editorial

    Directed by Nash Edgerton
    Produced by Blue-Tongue Films

  • The Eleven O’Clock

    Editorial

    Directed by Derin Seale
    Produced by Finch

  • Tough

    Editorial, DI and Finishing

    Directed by Taylor Ferguson
    Produced by Eddy Bell & Taylor Ferguson

  • The List

    Editorial, DI and Finishing

    Directed by Samuel Faull
    Produced by Olivia Carolan & Samuel Faull

  • Playlist

    Editorial

    Directed by Maya Newell
    Produced by Maya Newell

  • The Plains

    DI and Finishing

    Directed by David Easteal
    Produced by David Easteal

  • Boy On Fire

    Editorial

    Directed by Alies Sluiter
    Produced by Mahal Jiwani & William Littleton

  • Sexy Nails

    Editorial, Postvis and VFX, DI and Finishing

    Directed by Tom Slater
    Produced by Photoplay Films

  • Buoyancy

    Editorial

    Directed by Rodd Rathjen
    Produced by Causeway Films

  • Kiki & Kitty

    Editorial

    Directed by Catriona McKenzie
    Produced by Porchlight Films

  • Proximity

    Editorial, Postvis and VFX, VFX Supervision, DI and Finishing

    Directed by Taylor Steele
    Produced by Garage Productions & Teton Gravity Research

  • Generations Of Men

    Editorial, DI and Finishing

    Directed by Joanna Joy
    Produced by Elizabeth Simard & Lelarnie Hatfield-Yasso

  • Show Home

    Editorial

    Directed by Jane Shearer
    Produced by Sarah Cook & Jimena Murray

ARC acknowledges the Traditional Owners of Country throughout Australia, the original storytellers of the lands on which we work, paying respect to Elders past and present.

We extend this respect to First Nations Peoples and Indigenous communities around the world, whose lands remain enduring places of connection.