Our finishing suites enable colourists and online artists to deliver top-quality images while working in an environment that fully adheres to the requirements for HD/UHD/4K SDR, HDR, and Dolby Vision workflows.
High-spec Linux workstations run DaVinci Resolve Studio with DaVinci Advanced Panels, securely housed in our machine room and accessed via PCoIP. Artists monitor on Sony BVM-HX310 HDR reference monitors with 77” Samsung QD-OLED TVs for client viewing, both calibrated for precision in-house by our internal Dolby Vision certified Technical Director and Engineers.
Our mastering and presentation suite can comfortably seat up to 18 people and features Dolby Atmos HE 7.1.4 / 7.1 / 5.1 and stereo configurations, and can route video/audio from anywhere in the facility for flexible screenings. Remote screenings are supported by our Colorfront Streaming Servers, enabling high-quality streaming of up to 4K 10-bit 4:4:4 video and Dolby Atmos audio.
We understand that accurate images rely on more than just calibrated monitors, so we offer SDR/HDR-capable scopes with OmniScope, supported by automated QC to ensure delivery standards for theatrical, OTT and broadcast, and Transkoder for deliverable creation including DCP and IMF/IMP.
Our internal team of artists, assistants, engineers, and producers and are on hand to ensure that all mastering and outputs run seamlessly, on time, and on budget.
ARC acknowledges the Traditional Owners of Country throughout Australia, the original storytellers of the lands on which we work, paying respect to Elders past and present.
We extend this respect to First Nations Peoples and Indigenous communities around the world, whose lands remain enduring places of connection.