Under the guidance of the VFX Supervisors and Producers, our team of generalists can efficiently workshop ideas under the same roof as editorial and our internal DI/Finishing team, enabling a smooth, collaborative and creative experience.

Starting early in the edit allows our supervisors to test all avenues until the right creative choice is made while being budget-conscious and schedule-minded.

Our Postvis work is then used as the creative blueprint, guiding decisions about which shots are best fed through to external vendors for 3D/CGI or can stay at ARC for 2D finishing.

Our internal support teams handle this multiple-vendor pipeline, so production only has to deal with a single supervisor/producer team.

Whether a show is housed at ARC for editorial or we are only coming on as a vendor, the team can help during previs, while shooting, during the edit, or at VFX finishing on a shot-by-shot basis or on daily and weekly retainers.